Life Map 1975–2026
| 2025 Sound sculpture- installation |
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GloglauAIR Project Space, Berlin, Germany Mona 1 (from Automata series) and Tent Visions 12 In SHELTER, group exhibition curated by Yulia Ani and Julia Shanaytsa. More information about the Mona series here   |
| 2025 Sound sculpture- installation |
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Casa de la Cultura San Rafael, Mexico City Fatalismo Magico In Pepenando Ando, Group exhibition curated by Colectivo La Central. With Mariana Castillo Deball. More information about this project here  |
| 2024 Visual and performing arts |
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Berliner Kabarett Anstalt, BKA Theater, Berlin, Germany Nubes y nomadas 2 soloists ensemble and multi-channel video. A developed version of "Nubes y Nomadas 1" with an accent on the current migration crisis in the world and a slightly different instrumentation. Commission: Ensemble Vertixe Sonora. 6 Musicians in Pontevedra, Spain, read a score using a portable teleprompter. A second score were written to be read by 6 other musicians on stage. Overlapped materials of "street" musicians along with different youtube video-documentation accompany the stage musicians. On Video: BbClarinete, Flute, Percussion, Trombone, Toy Piano, and Viola. On stage: Percussion, Baritone Sax, Electric guitar, Accordion, and Piano/keyboard Live stream documentation: YOUTUBE   |
| 2024 Sound sculpture- installation |
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Casa del Lago UNAM, JUMEX Arte Contemporaneo, Mexico City Fatalismo Mágico Objects installation with sound. In "Dibujame un mapa de lo que no veras", group exhibition curated by Monica Ramirez and Adriana Melchor. With Mariana Castillo Deball. (Photos by Ramiro Chaves) More information about this project here    |
| 2023-24 Visual arts |
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Chongquin International Culture Art Center, Exhibition 2023-24, Chongquin, China Post-covid series group exhibition, Partner: Pashmin Art Managment.   |
| 2023 Scored composition Visual and performing arts Video |
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Musikinstrumenten Museum, Exploratorium, Die Gelbe Villa. Kassel: Dock 4, Jugendkulturkirche. Marburger Musikschule. MATEO Ca. 13:45", Spinet, Soprano and other objects and actions. A duo based on a story for kids I wrote about a blind kid who gets lost in the forest and is assisted by an unconscious, non-sentient entity that communicates whit him through blowing. Comission: Klangplatz. YOUTUBE    |
| 2022 Visual and performing art |
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Urbanraum, Berlin, Germany City of inventories Duo performance with a blind Box, Independent. With choreographer and dancer Karina Suarez Bosche. An induced acoustic stress is later released, to enhance blindfolded perceptual capacity and submission. |
| 2021 Visual and performing art |
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Auditorio de Junta de Galicia en Campolongo, Pontevedra, Spain Nubes y Nomadas Ensemble performance and video. Commission: Ensemble Vertixe Sonora, Vertixe 9 Festival.   |
| 2021 Online scored composition |
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Online, Mexico-Switzerland-Berlin Hearing in Bed For Ensemble, TikTok videos and multichannel Video. Commission: LIMINAR and Contrechamps ensembles. With the support of Foro Internacional de Musica Nueva Manuel Enriquez and Pro Helvetia foundation. YOUTUBE |
| 2020 Video |
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A solitary bike-journey in times of COVID-19 Video, Independent, Ca. 33 min., 16:9, Color, Stereo, MPEG4. 1600km in 26 days, a solo bike trip in lockdown times. YOUTUBE |
| 2020 Workshop and peformance |
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Universidad para el Bienestar, Benito Juarez Garcia, Teotitlan del Valle, Oaxaca, Mexico Sound-cartography Listening, walking and mapping, workshop and performance with students.   |
| 2020 Sonic interactive sculpture |
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Mexican embassy in Germany, Berlin Blind Box Interactive sound sculpture, in "Zu-Fall". Group exhibition. Curator: Vanessa Enriquez. A blind-folded tactile experience becomes a sonic creation.  |
| 2019 Scored composition and instrument construction |
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St. Marie Liebefrauen Kirche, Berlin, Germany Kammlagen Spectral organ, church organ and soprano. Open score based on texts by Carlos Castaneda and a Nahuatl poem. With Quentin Tolimieri (spectral organ), Maximilian Schnauz (church organ) and Almut Kuehne (soprano). Organ builder: Guido Hennebeohl. Support by Inititive Neue Musik, Berlin. Fragment: YOUTUBE      |
| 2019 Visual and performing arts |
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Ackerstsadt Palace, Berlin, Germany, Biberdamm-Assut Animation film, percussion, violin, cello and modified PET bottles. in "Up to three 2019 concert series". Commission: Ensemble Mosaik. YOUTUBE  |
| 2018-2019 Video and performing art Scored composition |
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Ex Teresa Arte Actual / Laboratorio Arte Alameda, Mexico City Maquina Latina, video screening Group exhibition and printed catalogue: "Modos de Oír: prácticas de arte y sonido en México" Curator: Carlos Prieto    |
| 2018 Visual and performing arts |
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Tauben Platz, Wrangelkiez, Berlin, Germany Klavierstrasse Whole summer interactive open-air sound-sculpture. Commission: Kiezanker 36 and Berliner klavier. Neither Klavierstrasse nor Taubenplatz exists in Berlin. This corner is a utopian place where anything and everything can happen. It is a place where the sole presence of a piano is able to transform the street into the private space or to bring together a homeless person who plays the piano and a child who loves music. Klavierstrasse is an installation, a sculpture, a mirror, a corner of time.   WHO IS MAIKOL JASHKON? Gabriel Grestel (known in his our Barrio as 'Maikol Jasckon') became the Lingua Franca, the Locus Classicus of Klavierstrasse. Gabriel always showed a great deal of respect for the piano, whenever he played it, donated a coin. He always wanted to help and never disrespected anyone. We know that Maikol was a nuisance to many. Well, we made this video to temper this Nuisance. His aesthetics, like a good Romanian, arouses unleashed passions (Thanks to Daniela Berenika for asking the questions to Maikol) |
| 2018 Visual and performing arts |
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Americas Society, New York, USA The six lost songs The grand pianola project I and II, Six "soundtracks" of Nancarrow's dreams when he was 6 years old, for Double Bass, Ondes Martenot and Percussion, Commission: Americas Society. Stage recording: YOUTUBE    |
| 2018 Visual, performing arts and release |
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Open Air and Double-Vinyl Edition, San Lorenzo, Milpa Alta, Mexico City, Fatalismo Mágico, ópera sobre el deseo y la nostalgia en cuatro actos (Magic Fatalism, opera on nostalgia and desire in three acts), Performance, 80+20 vinyls edition, 4 Black-ceramic brooms, and a tortillas Oracle. This project was originally realized with Mariana Castillo Deball. It deals with sound cartography, soundscape, pilgrimage, maps, landscape and performance. Edition of 100, double vinyl disk box, wrapped with a fine-art cloth-digital-print of a Mariana Castillo's water color showing the map where all performances took place. The project was realized by request from Alumnos 47 Foundation (now extinct) with the kind support of local people in San Lorenzo, Milpa Alta. Performers: The Morilleros The Barrendera The tortillas oracle The Yerbero Curator Alumnos 47: Jessica Berlanga  Don Juan, El Yerbero  Juana, la barrendera  Juana, The tortillas Oracle |
| 2018 Visual and performing arts |
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Kesselhaus, kulturbrauerei, Berlin, Germany Die Trennen der Dinge Ensemble and video, featuring Niklas Seidl, Daniela Garduno, Ernst Surberg and Tanja Watoro on video. Soloist: Ernst Surberg: accordion, Roland Neffe: Blind Box. Autonome Musik 4, "Schaltungen". Commission: Ensemble Mosaik and SNCA. Trailer: YOUTUBE    |
| 2018 Edition |
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Museum of the Seam, Jerusalem, Middle East Hidden 2 Video installation, in Rise boys and girls the same way, catalogue for the exhibition The Women Behind, Photo Series. |
| 2018 Video Art |
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Museum of the Seam, Jerusalem. Hidden 2 16:9, Color, Stereo Ca. 5 min. Featuring Charlotte Grude. "The Women Behind", group exhibition, curator: Raphie Etgar This is the second one of a "Hidden" series of three videos, exploring the interaction of real, literally naked human beings, specifically women, with geopolitics, religion, and culture. (Museum of the Seam). YOUTUBE |
| 2017 Visual and performing arts |
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Smallroom, Berlin, Germany Qu Trompa, ship version Trumpet, Water, saliva and tape. Commission by: Callum G. Froerer    |
| 2017 Group exhibition |
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Bethanien, Berlin, Germany On Nancarrows's Legacy Digital prints and cylindrical stamps, in: Constellations of the Audio Machine in Mexico - group exhibition. With Mariana Castillo Deball. Curator: Carlos Prieto. |
| 2017 Video Art |
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KUNSTQUARTIER BETHANIEN Studio 1, Berlin, Germany Se fueron los Pajaros, Video, Color, 16:9 screening a soundscape for deaf people. Independent production. "A Century of Noise in Mexico: From Nationalist Symphonic Indio-futurism to Political Animism and Musical Emergences". Panel with Carlos Sandoval, Guillermo Galindo, Alexander Bruck, and Roberto Morales. Moderated by Carlos Prieto Acevedo. YOUTUBE  |
| 2017 Visual and performing arts |
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HAU 2, Berlin, Germany The Mexican National Anthem as I recall it from my childhood Ensemble, 2-channel video, Soprano Obbligato, Flag conductor and Tape. Festival CTM, for the Constellations of the Audio Machine in Mexico, group exhibition, with funds from SNCA, Mexico. Curator : Carlos Prieto YOUTUBE |
| 2016 Visual and performing arts |
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Akademie der Kunste, Studio, Berlin, Germany Teleprompter 2 6 solo performers and their own video, commission: ARD-Das neue Werk and Ensemble Kollektiv. YOUTUBE |
| 2016 Video |
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Grazer Kunstverein (producer), Graz Austria, Perchtenlauf Ca. 14 min, 4:3, Color, Stereo, MPEG4. In German / no subtitles. This film is associated with the piece Viertel Nach Schatten. YOUTUBE |
| 2016 Visual and performing arts |
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Innsbruck, Austria Antilegos 1, 2, 3 3 live and video solos, A mix of concert and sound installation. Klangspuren Schwaz under the Tiroler Festival fur Neue Musik, Commission: Ensemble Mosaik, Siemens Stifftung. |
| 2016 Visual and performing arts. Exhibition |
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Grazer Kunstverein, Oragerie, Graz, Austria Viertel Nach Schatten Open-air composition, performance and exhibition, based on the traditional Austrian Perchtenlauf. Commission: Grazer Kunstverein. With Mariana Castillo Deball. |
| 2016 Limited edition |
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Grazer Kunstverein, Graz, Austria Viertel Nach Schatten Group portfolio, 10x Edition. Commission: Grazer Kustverein. With Mariana Castillo Deball. |
| 2015 Visual and performing arts |
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Resonanzraum, Hamburg , Germany Teleprompter 1 6 solo performers and their own video, commission: ARD-Das neue Werk and Ensemble Mosaik. |
| 2015 Visual and performing arts |
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Strawinsky Saal, Donaueschingen Germany Antilegos 1, 2, 3 3 short chamber pieces and video: Antilegos 1: Keyboard and 2-channel video Antilegos 2: Violin oboe and 2 channel video Antilegos 3: Clarinet, Viola and 2 channel video Festival Donaueschinger Musiktage. Commission: Ensemble Mosaik and Siemens Stifftung. |
| 2015 Exhibition |
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Galerie für Zeitgenössische Kunst, GfZK, Leipzig, Germany One minute for John Cage 125 Party Pieces, original score, group exhibition, and edition. Forum Zeitgenoschisher Musik, Leipzig.  |
| 2014 Video Art |
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Youtube Metronomo y Esperanza Before language, before ideology, before the slogan — there was imitation. The infant copies the mother. The subordinate copies the dominant. The crowd copies the crowd. Power did not invent this mechanism. It inherited it and has been living off it ever since.  |
| 2014 Printed |
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Magazine Ixiptla Antilego, photo series Magazine Ixiptla, Spring 2015, Vol 3, ISBN 978-3-94-3514-35-3, Berlin, Germany, , p.p 80. Dissociated pre-Hispanic pieces are brought together to form an arbitrary entity. Editor: Mariana Castillo Deball Also in: Magazine Ixiptla, Spring 2014, Vol 1, ISBN 978-3-94-3514-25-4, Berlin, Germany.   |
| 2014 Printed |
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Magazine Sur On Nancarrows Legacy Spring 2014, Vol 1, ISBN 978-3-94-3514-26-1, Mexico City, photocopy and rolling stamp, print series, p.p. 33-42. With Mariana Castillo Deball.  |
| 2013 |  |
Miller Theatre, New York, USA 125 Party Pieces for John Cage 125 scores concert. Commission: Forum zeitgenössischer Musik, Leipzig |
| 2013 Visual and performing arts |
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ZKM, Karlsruhue, Germany Maquina Latina Piano and video performance, PIANO+ 2013 Festival, Konzert I. Commission: Ernst Surberg. YOUTUBE |
| 2013 Performing arts |
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Open-Air, Kottbusser Tor, Berlin, Germany Parasite Sound Intervention 6-music spots, simultaneous performance and video recording around a fix-route wandering camera. Independent production. |
| 2013 Performing arts |
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Open-Air, Kottbusser Tor, Berlin, Germany Parasite Dance Intervention 6-dance-spots, simultaneous performance and video recording around a fix-route wandering camera. Independent production. |
| 2012 Video |
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Deutsches Hygiene-Museum Dresden, Germany, FILM Ursula: the art of Dying Permanent screening and lecture for Young people about the art of dying. Featuring Ursula Kleinhenz. 16:9, Color, Stereo, Ca 15 Min. In German, no subtitles. Commission: Deutsches Hygiene Museum Dresden DHMD Version YOUTUBE Full Version YOUTUBE  |
| 2012 Visual and performing arts |
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Lab for Electronics Arts and Performance, LEAP, Berlin, Germany Lips revisited for voice and live electronics. Body controlled number 5-Gestures. YOUTUBE |
| 2010 Visual and performing arts |
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Mexico City, Museo Universitario de Arte Contemporaneo MUAC UNAM Traslapes sonoros y otras averiguaciones previas Impro-performanceand video with an alive ticking-chiken. With Wilfrido Terrazas (flutes), Misha Marks (guitars) and C.S. (Live electronics and video). |
| 2010 Video Art |
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Mexico City, Museo Universitario de Arte Contemporaneo MUAC-UNAM, Tinga under a surveillance camera in "Traslapes sonoros y otras averiguaciones previas". Ca. 3 min. 4:3, Color, mute |
| 2010 Video Art |
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Mexico City, Museo Universitario de Arte Contemporaneo MUAC UNAM Tinga inside out in Traslapes sonoros y otras averiguaciones previas, Ca. 3 min. 4:3, Color, mute |
| 2010 Scored composition |
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Fabrik Potsdam, Potsdam, Germany PfMd_01 for piano and tape. Interzonansen 2013, with Andreas Staffel and Julius Holtz. |
| 2010 Visual and performing arts |
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Hamburger Sprechwerk, Hamburg, Germany El Instrumento one month residence and performance. For dancer and live electronics. in DanceKiosk Festival. Commission: Dance-Kiosk Festival. |
| 2010 Visual and performing arts |
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Qu trompa 2011: Museum in Wasserwerk, Berlin, Germany, for trumpet, water, saliva and tape, Berliner Gesellschaft fur Neue Musik. Commission: Paul Hubner. 2010: Hauptbahnhof, Oldenburg, Germany, Performance for trumpet, Water, Saliva and tape. Bahnklang festival (under the umbrella of Festival Sounding D). With "Qu trompa" (comission Paul Huebner and later Callum G. Froerer for the "ship version") and "Qu Vara" (comission Hilary Jeffery) I wanted explore on a ecological, cyclical, interactive and embodied relationship instrument-performer    |
| 2010 Scored composition and tape |
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Basilica Menor del Convento de San Fransisco de Asis, Havanna, Cuba Coro_MD kids mixed-choir, objects and tape, Festival Primavera en la Habana.  |
| 2010 Video Art |
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Mexico-Berlin, independent production Hidden One Featuring Sofía Torre, 16:9, Color, Ca. 4 Min. |
| 2009 Workshop and live-electronics performance with kids |
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Laberinto de las Ciencias, San Luis Potosi, Mexico Joysticks electronics hacking and Impro-performance for kids, Festival de San Luis. Commission: Festival de San Luis. With Oori Shalev. A The Tilt project. |
| 2009 Visual and performing arts |
Frac Bougogne, Dijon, France Petenera Guitar, toy guitar and acting, Festival Printems Why Not. Commission SNCA |
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| 2009 Visual and performing arts |
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BKA Theater, Berlin, Germany Qu Vara for Trombon, Water, Saliva and Tape, Commision: Hilary Jeffery, BKA Unerhoerte Musik series.  |
| 2009 Visual and performing arts. Conducting and live electronics |
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Aula der Kieler Gelernteschule, Kiel, Germany Die basta Zeiten sind vorbei ensemble, live-electronics and graphic. Commission Ensemble Mosaik |
| 2009 Visual and performing arts Conducting and live electronics |
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Alte-Post, Berlin Neukolln, Germany Umgebung Nano opera for mixed choir, chamber ensemble and live elektronic, Commission: Kulturnetzwerk Neukolln e.V., Festival 25 Stunden Neukolln |
| 2009 Scored composition |
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Theatre D'Orleans, Orleans, France Theatre des Buffes du Nord, Paris, France, PfMd_01 piano and tape, Orleans Concours Interational. Comission SNCA, Mexico. With Wilhelm Lachouma |
| 2008 Conducting and live electronics |
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Kesselhaus, kulturbrauerei, Berlin, Germany Die Basta Zeiten sind Vorbei Performance graphic score and ensemble, commission: Ensamble Mosaik, Open Sources series. |
| 2007 Visual and performing arts |
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Lawrence Batley Theater, Huddersfield, England Mosaicos Conducting an ensemble with live-electronics and floor-score, Huddersfield contemporary Music Festival, commission: Ensemble Mosaik. |
| 2007 Visual and performing arts with live electronics |
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Kleinen Wasserspeicher, Berlin, Germany The body of Ligia Live electronics-body performance, commission: Funf + 1 festival, TU Elektronisches Studio   |
| 2007 Visual and performing arts. Conducting with live electronics. |
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Ballhaus Naunynstrasse, Berlin, Germany Die schaukel A 3:08:06" hour chimera in the form of a music-interaction with trees, sensors and internet, light-installation, music-theater and free improvisation, with Mario Vazquez, Oori Shalev, Jose Garcia and C.S. With the support of INM e.V. Berlin, BalhausNauninstrs. and the Interaktion Festival.  |
| 2006 Sound Installation and Spatial sound concert |
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Tesla Kubus, Berlin Germany Nancarrow in 12 channels spacialization of studies 21 and 37, commission TU Elektronische Musik Studio, TU University. With Folkmar Hein and several TU-university students. Project Site  Study 37, speaker-to-canonic voice distribution  Study 21, speaker-to-canonic voice distribution |
| 2006 Visual and performing arts |
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Deutsches Technikmuseum, Berlin, Germany The Birth of a Ship Ca. 25:00", Ships as living organisms, and percussion instruments. Lange Nacht der Museen, Senatsverwaltung für Wissenschaft, Forschung und Kultur, Production: TU Studio Berlin. With Oori Shalev, Iftah Gabbai, Roland Neffe and others.   |
| 2005 Sound installations, research and artistic direction |
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The Tilt Group Berlin, Germany, founder and artistic director. In collaboration with Iftah Gabbai, Bertrand Hansum, Olaf Hingenfeld, Oori Shalev and others. 2010 Die Insel, Berlin, Germany, Klangkaskaden-Haikus, Commission: EU Soziale Stadt, Berlin City, German Federal Government and Interzone. YOUTUBE 2009 - Die Insel,Berlin, Germany, Baumberauschen 2, Socially healing an abandoned park with sound art. Commission: Kunst Identitat series through the European Union's Soziale Stadt program. 2007-08 - Galerie Hope and Glory, Kornerpark, Berlin, Germany, Baumberauschen, Sound Installation. Commission: Kunst Identitat series through the European Union's Soziale Stadt program. 2007, Ballhaus Naunynstr., Berlin, Germany, Die Schaukel, real-time interaction-performance with living trees. Interaktion Festival 1. 2007, Ballhaus Naunynstr., Berlin, Germany, To Sing a Forest, real-time interaction-performance with living trees. Interaktion Festival 1. 2007 - TU Elektronisches Studio, TU University, Berlin, Germany, Biosphere Lab, by the Tilt. An experimental extension of the Technisches Universitat Berlin, Elektronisches Studio. 2006 - Patio central de la Universidad de San Luis, San Luis Potosi City, Mexico, Sotavento by The Tilt, A network of sonic trees, sound installation, Festival de San Luis. Berlin, Germany, Florence, Italy and San Luis Potosi, Mexico. Commission: Festival de San Luis.   |
| 2004 Visual and performing arts |
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Hochschule fur Musik und Theater, Hamburg, Germany, Goldbeckhaus, Hamburg, Germany MEXTOYS for percussion, video, and dance Commission: Festival Eigenarten and Culture Ministry of Hamburg. With the collaboration of Yolanda Gutierrez.   |
| 2004 Scored composition |
Capilla Helenico, Mexico City, Mexico, Ludika, Performance for percussionist. The electronic hammer. | |
| 2004 Visual and performing arts |
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BKA Theater, Berlin, Germany Qu Vara Performative piece for Trombone, water, saliva and tape. Unerhoerte Musik. Commission: Hilary Jeffery. |
| 2004 Scored composition |
Auditorio Blas Galindo, CNA, Mexico City, 8to, for ensemble, Camerata de las Americas. | |
| 2003 Video Art |
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Museo Universitario de Arte contemporaneo, UNAM, Film, Dona Soco, her mother and the chicken, 2003, 4:3, Color, Ca 16 min. |
| 2003 Video Art |
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Hochschule fur Musik und Theater, Hamburg, Germany, Mextoys-Interlude 2, 4:3, Color, Stereo, Ca 5min. Adult content. |
| 2003 Video Art |
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Hochschule fur Musik und Theater, Hamburg, Germany, Mextoys-Interlude 1, 4:3, Color, Stereo, Ca 5min. Adult content. |
| 2003 Scored composition |
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Sala Ponce, Cuernavaca, Mexico, PfMd01, for piano, Marion Vidal. Museo Nacional de Arte, Mexico City, PfMd_01, for piano, Premiere, Marion Vidal. |
| 2003 Scored composition |
Stanley Picker Gallery, Kingston University, School of music, Kingston, UK, Coro MD, performative piece for mixed choir and tape, eCOOter ensamble, | |
| 2002 Creative non fiction |
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La Pasión Según la Gente Cuernavaca, Mexico, Creative non fiction, Color, 4:3, 18min. |
| 2001 Poetry and photography |
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La Jornada Morelos, El Sí en Pies, Cuernavaca, Mexico, Poem and Photo, co-editor and author. |
| 2001 Edition |
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Cuernavaca, Mexico, CD, La Pasión Según la Gente, Creative non fiction, Mexico, Color, 4:3, Color, 18min. Quindecim Recordings, Sirena, PACMYC, FOECA. |
| 2000 Visual and performing arts |
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Museo de la Ciudad de Mexico, Mexico City La Pasión Según la Gente Brass band, Percussion, Clarinet and tape, Creative non fiction, Mexico, Color, 4:3, Color, 18min. PACMYC, FOECA. Concert curated by Conrado Tostado.   |
| 1996 Music instrument design |
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STEIM foundation, Amsterdam, The Netherlands Gloves with sensors Further construction residencies: 1999 and 2005  Project submission photo  Gloves construction at the STEIM foundation  The legendary SensorLab at its best...  Trying the gloves at the STEIM Foundation... |
| 1995 Music instrument design and construction |
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MIDI piano Cuernavaca City, Mexico, In collaboration with Trimpin (Rem-Demi Productions) and Miguel Zenker (ENM UNAM). I installed a rack of adjustable solenoids to an old, adapted upright piano. The power supply was designed and constructed by Trimpin. He helped me with the final assembly and adjustments. The instrument was disassembled when I moved to Germany, 2003. Photos by Lazaro Sandoval.    |
| 1994 Scored composition |
Donaueschingen, Germany Fast Piece for player Piano Ca. 6 min. Piece for Player Piano, in "Musica Mechanica - Mechanische Musikinstrumenten", Festival Donaueschinger Musiktage 1994. |
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| 1991 1994 Assistance to a composer |
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Conlon Nancarrow's studio, Mexico City, Assistant to Conlon Nancarrow. More information: here |
| 1985 Group Exhibition |
Foro Cultural Efrén Rebolledo, Pachuca, Mexico, Unicornio, group photo-exhibition. | |
| 1984 Group Exhibition |
Municipality Library, Cuernavaca, Mexico, 5 Proposiciones Visuales, Group photo-exhibition, Coordinación Cultural del Estado de Morelos, biblioteca municipal. | |
| 1983 Illustration |
Análisis, N.Y., USA, (political magazine), political illustration | |
| 1983 Photoraphy |
El encuentro inesperado, Los Angeles, USA. Photonovela on the sexual violence in Los Angeles), photography. | |
| 1983 Photoraphy |
Literaricum (literature magazine), Vienna, Austria, Nr. 1:82, photography | |
| 1983 Illustration |
El Día / Newspaper , México City, Literature and poetry illustration, cultural section. | |
| 1982 Solo Exhibition |
Internationalen Studenten-Club, Vienna, Austria, Zeichnungen und Aquarelle, solo exhibition. | |
| 1982 Solo exhibition |
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Modena Art Gallerie, Vienna, Austria, 14 Zeichnungen, 6 aquarelle, 5 photomontagen, 15 photos, solo exhibition. |
| 1978 Illustration |
Colibrí Magazine, Mexico City, illustrator. | |
| 1975 Political cartoon |
La Garrapata, México City, political magazine, cartonist. | |