CARLOS SANDOVAL
STATEMENT ABOUT CV
WORKS, DATES AND VENUES
This is the threshold: A space of sensitive, sustained contact between beings and machines. Not a line to cross but a space to inhabit. Alive in the perception of whoever enters it, never static, never the same twice.
BEINGS AS MACHINES >
AT THE THRESHOLD
WORK 1987-2026
< MACHINES AS BEIGNS
2026
+ MONAS SERIES Automata
+ TENT VISIONS Drawing
2025
+ MYCELIA Drawing
+ MATEO Composition
2024
+ POST-COVID SERIES Drawing
+ NUBES Y NOMADAS 2 Composition
2023
2022
2021
+ NUBES Y NOMADAS 1 Composition
LEPORINAS
2020
+ HEARING IN BED Composition
2019
+ BIBERDAM-ASSUT Composition
2018
+ THE SIX LOST SONGS Composition
+ FATALISMO MAGICO Performance
+ DIE TRENNEN DER DINGE Composition
+ HIDDEN 2 Video
2017
+ BLIND BOX Scultpture
+ SE FUERON LOS PAJAROS
+ THE MEXICAN NATIONAL ANTHEM Composition
+ QU TROMPA 2 Composition
2016
+ TELEPROMPTER 2 Composition
2015
+ TELEPROMPTER 1 Composition
+ ANTILEGOS Composition
2014
+ METRONoMO y ESPERANZA
+ ANTILEGO
+ TRANSFOREST
2013
+ MAQUINA LATINA Composition
2011
+ SINUS-KOPEK
2010
+ EL INSTRUMENTO
+ TREES WITH SENSORS
2009
+ INTERAKTION FESTIVAL
2008
+ DIE BASTA ZEITEN SIND VORBEI Composition
2007
+ QU TROMPA Composition
+ THE BODY OF LIGIA
+ MOSAICOS
+ DIE SCHAUKEL
+ NANCARROW IN 12 CHANNELS
2006
+ THE BIRTH OF A SHIP
2005
+ PETENERA Composition
+ QU VARA Composition
2004
+ STEIM: GLOVES WITH SENSORS
2003
+ MEX TOYS Composition
2001
+ MANDARINO MARIONETA
2000
+ LA PASION SEGUN LA GENTE Composition
1999
1996
1994
+ MIDI PIANOLA CONSTRUCTION
1992
+ FAST PIECE and SLOW PIECE FOR PLAYER + PIANO Composition
1987
+ HEAVY MOBILES