CARLOS SANDOVAL MENDOZA



HEARING IN BED

Lockdown music

Berlin / Germany, 2022

 

Premiere as YouTube upload, 2023

42 FIMNME, Laboratorio virtual de creación musical,
LIMINAR / Contrechamps

 

Commissioned by Ensemble Contrechamps, Ensemble LIMINAR and Pro Helvetia Foundation


Still from Hearing in Bed, distributed ensemble performance during lockdown

Hearing in Bed was made during the late COVID-19 lockdowns, for an online festival (Foro Internacional de Música Nueva Manuel Enriquez, México City), under the condition that no two performers or two listeners could be in the same room. Eight musicians — four Mexican, four Swiss located in different parts of the world — each recorded their part individually on video.

The work used two types of score sent as digital data to the musicians. One consisted of selected TikTok videos to be used as score and be instrument-synced. (This is the logic of TikTok's Use Audio function — a mass imitation machine that paradoxically produces individuation). The second score is a teleprompter: it's the Teleprompter 2 and Antilegos 3 video-score repurposed — musical notation combined with written instructions, leaving space for improvisation.

The audio is the machine side. The body's interpretation is the human side. The TikTok interface is the threshold between them — and the grid recreates that threshold at the level of ensemble.

Performer video still, one of three identities from the same text Performer video still, second of three identities from the same text Performer video still, third of three identities from the same text

ONE TEXT, THREE IDENTITIES

The eight musicians share a score but never share a room — the ensemble exists only for the listener, never for the players. Each performer responded to a score in isolation, hearing nothing but themselves. The acoustic field was assembled in the edit and experienced only from the outside. This is one of the strangest properties of the piece: the collective is real, but none of its members ever lived inside it.

Score one, based on TikTok videos used as instrument-synced score

SCORE ONE BASED ON TIKTOK VIDEOS

Score two, based on the Antilegos 3 teleprompter score with intermittent TikTok solos

SCORE TWO BASED ON ANTILEGOS 3'S TELEPROMPTER SCORE,

WITH INTERMITTENT TIKTOK SOLOS

The piece was the mirror of a real situation: during the months of assembling the material, I was scrolling compulsively — a social media addict, like many others, filling the hours the pandemic had emptied. I was not observing from outside. I was inside the scroll. The lockdown stripped the shared spaces that had been papering over it, and left people with their screens, their tribes, their performance of togetherness.

Hearing in Bed

LIMINAR AND CONTRECHAMPS - YOUTUBE UPLOAD