Berliner Kabarett Anstalt, BKA Theater,
Berlin, Germany, Nubes y
nomadas 2, soloists ensemble and multi-channel video. A developed version
of "Nubes y Nomadas 1" with an accent on the
current migration crisis in the world and a
slightly different instrumentation. Commission:
Ensemble Vertixe Sonora.
On Video:
BbClarinete, Flute, Percussion , Trombone, Toy
Piano, and Viola. On stage: Percussion, Baritone
Sax, Electric guitar, Accordion, and
Piano/keyboard
2024
Visual and
performing arts
Casa del Lago
UNAM, Mexico City,
Fatalismo Magico, objects installation with
sound.
In "Dibujame un mapa de lo que no veras", group
exhibition curated by Monica Ramirez and Adriana
Melchor. Fundacion JUMEX Arte Contemporaneo.
This project was developed with Mariana Castillo
Deball.
2023-24
Visual arts
Chongquin International Modern and
Contemporary Art, Exhibition 2023-24, Chongquin, China,
Post-covid
series, group exhibition, Partner: Pashmin Art
Managment.
2023
Scored composition
Visual and
performing arts
Video
"Mateo"Ca. 13:45", Spinet, Soprano and other
objects and actions.
A duo based on a story for kids I wrote about a
blind kid who gets lost in the forest and is
assisted by an unconscious, non-sentient entity
that communicates whit him through blowing.
Comission: Klangplatz.
Berlin: Musikinstrumenten Museum,
Exploratorium, Die Gelbe Villa. Kassel:
Dock 4, Jugendkulturkirche. Marburg:
Musikschule.
2022
Visual and
performing art
Urbanraum,
Berlin, Germany, City of
inventories, Duo performance with a blind Box,
Independent.With choreographer and
dancer Karina Suarez
Bosche.
An induced acoustic stress is later released, to
enhance blindfolded perceptual capacity and
submission.
2021
Visual and
performing art
Auditorio
de Junta de Galicia en Campolongo, Pontevedra,
Spain, Nubes y
nomadas, Ensemble performance and video. Commission:
Ensemble Vertixe Sonora, Vertixe 9 Festival.
2021
Online scored
composition
Online, Mexico-Switzerland-Berlin,
Hearing in Bed, for Ensemble and TikTok
videos. Commission: Liminar and Contrechamps
ensembles.
With the support of Foro Internacional de Musica Nueva Manuel Enriquez
and Pro Helvetia foundation.
2021
Sound sculpture
Mexican Embassy in Germany, Berlin, Last Couple Fight, sculpture
with sound, in "Mexikanischer Ubersee Salon /
Salon Mexicano de Ultramar", group exhibition,
curator: Luisa Reyes Retana.
2020
Video
A solitary
bike-journey in times of COVID-19,
Independent, Ca. 33 min., 16:9, Color, Stereo,
MPEG4.
2020
Workshop and
peformance
Universidad
para el Bienestar, Benito Juarez Garcia,
Teotitlan del Valle, Oaxaca, Mexico:
Sound-cartography: Listening, walking and
mapping, workshop and performance with students.
2020
Sonic
interactive
sculpture
Mexican embassy in Germany, Berlin,
Blind Box, interactive sound
sculpture, in "Zu-Fall". Group exhibition.
Curator: Vanessa Enriquez. A blind-folded
tactile experience becomes a sonic creation.
2019
Scored
composition
and instrument
construction
St.
Marie Liebefrauen Kirche, Berlin,
Germany, Kammlagen, for spectral organ,
church organ and soprano. Concert
with texts by Carlos Castaneda, with support
of Inititive Neue
Musik Berlin. Organ builder: Guido Hennebohl.
2019
Visual and
performing arts
Ackerstsadt Palace, Berlin, Germany,
Biberdamm-Assut, for animation film, percussion,
violin,
cello and modified PET bottles. in "Up to three
2019 concert series". Commission: Ensemble Mosaik.
2018
Visual and
performing arts
Tauben
Platz, Wrangelkiez, Berlin, Germany, Klavierstrasse, whole summer interactive open-air
sound-sculpture. Commission: Kiezanker 36
and Berliner klavier.
Neither Klavierstrasse nor Taubenplatz exists in Berlin.
This corner is a utopian place where anything
and everything can happen. It is a place where
the sole presence of a piano is able to
transform the street into the private space or to
bring together a homeless person who plays the
piano and a child who loves music. Klavierstrasse is an installation, a sculpture,
a mirror, a corner of time.
WHO IS MAIKOL
JASHKON? Gabriel Grestel (known in his our
Barrio as 'Maikol Jasckon') became the Lingua
Franca, the Locus Classicus of Klavierstrasse.
Gabriel always showed a great deal of respect
for the piano, whenever he played it, donated a
coin. He always wanted to help and never
disrespected anyone. We know that Maikol was a
nuisance to many. Well, we made this video to
temper this Nuisance. His aesthetics, like a
good Romanian, arouses unleashed passions
(Thanks to Daniela Berenika for asking the
questions to Maikol)
2018
Visual and
performing arts
Americas
Society, New York, USA, The six lost
songs: six "soundtracks" of Nancarrow's dreams
when he was 6 years old, for Double Bass, Ondes Martenot and
Percussion, Commission:
Americas Society.
2018
Visual,
performing arts and release
Open
Air, San
Lorenzo, Milpa Alta, Mexico City,
Fatalismo Magico, Opera Sobre el Deseo y la
Nostalgia en Cuatro Actos, (Magic Fatalism,
opera on nostalgia and desire in three acts), Street Performance
with people of Milpa Alta, Performance and 80+20 vinyls
edition and several exhibitions. Curator:
Jessica Berlanga. With Mariana Castillo Deball. Commission:
Alumnos 47 Foundation.
2018
Visual and
performing arts
Kesselhaus,
kulturbrauerei, Berlin, Germany, Die Trennen der
Dinge,
video,
16:9, color, stereo. Featuring Niklas Seidl, Daniela
Garduno, Ernst Surberg and Tanja Watoro. Autonome Musik 4, "Schaltungen". Commission: Ensemble Mosaik
and SNCA.
2018
Edition
Museum of the Seam,
Jerusalem, Middle East, Hidden 2, video
installation, in Rise boys
and girls the same way, catalogue for the
exhibition The Women Behind, Photo Series.
2017
Visual and
performing arts
Smallroom,
Berlin, Germany. Qu Trompa, For Trumpet,
Water, saliva and tape. Ship version.
Commission
by: Callum G. Froerer
2017
Group exhibition
Bethanien,
Berlin, Germany, On Nancarrows's Legacy,
digital prints and cylindrical stamps, in: Constellations of the
Audio Machine in Mexico - group exhibition. With
Mariana Castillo Deball.
2017
Visual and
performing arts
HAU 2,
Berlin, Germany, The Mexican National
Anthem as I recall it from my childhood, for
ensemble, 2-channel video, Soprano Obbligato,
Flag conductor and Tape. Festival CTM Commission:
Carlos Prieto, for the Constellations of the
Audio Machine in Mexico, group exhibition, with funds from SNCA, Mexico.
2016
Visual and
performing arts
Akademie
der Kunste, Berlin, Germany,
Teleprompter 2, for 6 solo performers and their
own video, commission: ARD-Das
neue Werk and Ensemble Mosaik.
2016
Video
Grazer Kunstverein
(producer), Graz Austria, Perchtenlauf, Ca. 14 min, 4:3, Color,
Stereo, MPEG4.
In German / no subtitles. This film is
associated with the piece Viertel Nach
Schatten.
2016
Visual and
performing arts
Schwaz, Austria, Antilegos, 3 live and
video solos, A mix of concert and sound
installation. Klangspuren Schwaz under the
Tiroler Festival fur Neue Musik, Commission:
Ensemble Mosaik, Siemens Stifftung.
2016
Visual and
performing arts.
Exhibition
Grazer
Kunstverein, Oragerie, Graz, Austria,
Viertel Nach Schatten, open-air composition, performance and
exhibition, based on the traditional Austrian Perchtenlauf.
Commission: Grazer Kunstverein. With Mariana Castillo
Deball.
2016
Limited edition
Grazer
Kunstverein, Graz, Austria,Viertel Nach
Schatten, Group
portfolio, 10x Edition. Commission: Grazer Kustverein. With Mariana Castillo
Deball.
2016
Video Art
Kunsthaus Bethanien, Berlin, Germany, Se fueron los
Pajaros, a visual landscape for deaf people.
Independent production. In "Constelations of the
audio machine in Mexico", discussion panel.
Curated by Carlos Prieto.
2015
Visual and
performing arts
Resonanzraum,
Hamburg , Germany,
Teleprompter 1, for 6 solo performers and their
own video, commission: ARD-Das
neue Werk and Ensemble Mosaik.
2015
Visual and
performing arts
Strawinsky Saal, Donaueschingen Germany,Antilegos
one, two and three:
3 short chamber pieces and video:
Antilegos 1:
Keyboard and 2-channel video
Antilegos 2:
Violin oboe and 2 channel video
Antilegos 3:
Clarinet, Viola and 2 channel video
Festival
Donaueschinger Musiktage. Commission: Ensemble
Mosaik and Siemens Stifftung.
2015
Exhibition
Galerie für Zeitgenössische
Kunst, GfZK, Leipzig, Germany, One
minute for John Cage, in125 Party Pieces,
original score, group exhibition, and edition. Forum Zeitgenoschisher
Musik, Leipzig.
2014
Printed
Magazine
Ixiptla, Spring 2015, Vol 3, ISBN
978-3-94-3514-35-3, Berlin, Germany,
Antilego, photo series, p.p 80.
Dissociated
pre-Hispanic pieces are brought together to form
an arbitrary entity.Also in:
Magazine
Ixiptla, Spring 2014, Vol 1, ISBN
978-3-94-3514-25-4, Berlin, Germany.
2014
Printed
Magazine
Sur, Spring 2014, Vol 1, ISBN
978-3-94-3514-26-1, Mexico City, On
Nancarrows Legacy, photocopy and rolling stamp, print series, p.p. 33-42.
With Mariana Castillo Deball.
2013
Miller Theatre,
New York,
USA,
125 Party Pieces for John
Cage,
125 scores concert.
Commission:
Forum zeitgenössischer Musik, Leipzig
2013
Visual and
performing arts
ZKM,
Karlsruhue, Germany, Maquina Latina,
piano and video performance, PIANO+ 2013
Festival, Konzert I. Commission: Ernst Surberg.
2013
Performing arts
Open-Air,
Kottbusser Tor, Berlin, Germany, Parasite
Sound Intervention: 6-music spots, simultaneous
performance and video recording around a
fix-route wandering camera. Independent
production.
2013
Performing arts
Open-Air,
Kottbusser Tor, Berlin, Germany, Parasite
Dance Intervention: 6-danc-spots, simultaneous
performance and video recording around a
fix-route wandering camera. Independent
production.
2012
Video
Deutsches Hygiene-Museum Dresden,
Germany, FILM, Ursula:
the art of Dying, permanent screening and
lecture for
Young people about the art of dying. Featuring Ursula Kleinhenz.
16:9, Color, Stereo, Ca 15 Min.
In German, no subtitles. Commission: Deutsches
Hygiene Museum Dresden
2012
Visual and
performing arts
Lab
for Electronics Arts and Performance,
LEAP, Berlin, Germany,
Lips revisited, for
voice and live electronics. Body controlled
number 5-Gestures.
2011
Video Art
Museum of the
Seam, Jerusalem, Palestine, Hidden 2, Featuring
Charlotte Grude, Berlin, 16:9, Color, Stereo Ca. 5 min.
2010
Visual and
performing arts
Mexico City,
Museo Universitario de Arte Contemporaneo MUAC
UNAM,
Impro-performanceand video
with an alive ticking-chiken. In "Traslapes sonoros y otras averiguaciones previas".
With Wilfrido Terrazas (flutes), Misha Marks
(guitars) and C.S. (Live electronics and
video).
2010
Video Art
Mexico City,
Museo Universitario de Arte Contemporaneo MUAC
UNAM,
in
"Traslapes sonoros y otras averiguaciones previas". "Tinga
under a surveillance camera" Ca. 3 min. 4:3,
Color, mute
2010
Video Art
Mexico City,
Museo Universitario de Arte Contemporaneo MUAC
UNAM,
in
Traslapes sonoros y otras averiguaciones previas. "Tinga
inside out",
Ca.
3 min. 4:3, Color,
mute
2010
Scored composition
Fabrik
Potsdam, Potsdam, Germany, PfMd_01,
for piano and tape. Interzonansen 2013, with
Andreas Staffel and Julius Holtz.
2010
Visual and
performing arts
Hamburger
Sprechwerk, Hamburg,
Germany, El Instrumento, one month
residence. For dancer and live electronics. in DanceKiosk
Festival. Commission: Dance-Kiosk Festival.
2010
Visual and
performing arts
2011:
Museum in
Wasserwerk, Berlin, Germany,Qu trompa,
for trumpet, water, saliva and tape,
Berliner Gesellschaft fur Neue Musik.
Commission: Paul Hubner.
2010: Hauptbahnhof, Oldenburg, Germany,
Qu
trompa, Performance for trumpet, Water, Saliva
and tape. Bahnklang festival (under the
umbrella of Festival Sounding D).
With "Qu trompa"
(comission Paul Huebner and later Callum G.
Froerer for the "ship version") and "Qu Vara" (comission
Hilary Jeffery) I wanted explore on a
ecological, cyclical, interactive and embodied
relationship instrument-performer.
2010
Scored composition
and tape
Basilica
Menor del Convento de San Fransisco de Asis,
Havanna, Cuba, Coro_MD for kids mixed-choir,
objects and tape, Festival Primavera en la
Habana.
2010
Video Art
Mexico-Berlin,
independent production, Hidden One, Featuring Sofía
Torre, 16:9, Color, Ca. 4 Min.
2010
Sond installation
Die Insel,
Berlin, Germany, Klangkaskaden-Haikus, sound installation with trees,
sensors and
water in
movement. Commission: EU Soziale Stadt, Berlin
City, German Federal Government and Interzone.
A The Tilt project.
2009
Workshop
and
live-electronics performance with kids
Laberinto de las Ciencias, San Luis Potosi,
Mexico, Joysticks, electronics hacking and
Impro-performance for kids, Festival de San Luis.
Commission: Festival de San Luis. With Oori
Shalev. A The Tilt project.
2009
Visual and
performing arts
Frac
Bougogne, Dijon, France, Petenera:
Guitar, toy guitar and acting, Festival
Printems Why Not. Commission SNCA
2009
Visual and
performing arts
BKA
Theater, Berlin, Germany, Qu Vara,
for Trombon, Water, Saliva and Tape,
Commision: Hilary Jeffery, BKA Unerhoerte Musik
series.
2009
Visual and
performing arts.
Conducting and
live electronics
Aula der
Kieler Gelernteschule, Kiel, Germany, Die
basta Zeiten sind vorbei, for ensemble,
live-electronics and graphic. Commission
Ensemble Mosaik
2009
Visual and
performing arts
Conducting and
live electronics
Alte-Post,
Berlin Neukolln, Germany, Umgebung, Nano
opera for mixed choir, chamber ensemble and live
elektronic, Commission: Kulturnetzwerk
Neukolln e.V., Festival 25 Stunden Neukolln
2009
Scored composition
Theatre
D'Orleans, Orleans, France, PfMd_01, for
piano and tape, Orleans Concours
Interational. Comission SNCA, Mexico.
2009
Theatre des
Buffes du Nord, Paris, France, PfMd_01,
for piano and tape, Orleans Concours
Interational. Comission SNCA, Mexico. French
Premiere.
2008
Conducting and
live electronics
Kesselhaus,
kulturbrauerei, Berlin, Germany, Die
Basta Zeiten sind Vorbei, Performance
graphic score and ensemble, commission: Ensamble
Mosaik, Open Sources series.
2007
Visual and
performing arts
lawrence Batley Theater, Huddersfield,
England, Mosaicos, Conducting an ensemble with
live-electronics and floor-score, Huddersfield contemporary Music
Festival, commission: Ensemble Mosaik.
2007
Visual and
performing arts
with live
electronics
Kleinen Wasserspeicher, Berlin,
Germany, The body
of Ligia, Live electronics-body performance,
commission: Funf + 1 festival.
2007
Visual and
performing arts.
Conducting with
live electronics.
Ballhaus Naunynstrasse, Berlin, Germany, Die
schaukel,A
3:08:06" hour chimera in the form of a
music-interaction with trees, sensors and
internet, light-installation, music-theater and
free improvisation, with
Mario Vazquez, Oori Shalev, Jose Garcia and C.S.
With the support of INM e.V. Berlin,
BalhausNauninstrs. and the Interaktion Festival.
2006
Sound Installation
and Spatial sound concert
Tesla Kubus,
Berlin Germany, Nancarrow in 12 channels,
spacialization of studies 21 and 37, commission
TU Elektronische Musik Studio, TU University.
With Folkmar Hein and several TU-university
students.
Study 37,
speaker-to-canonic voice distribution
Study 21,
speaker-to-canonic voice distribution
2006
Visual and
performing arts
Deutsches Technikmuseum,
Berlin, Germany, The Birth of a Ship,
Ca. 25:00", Ships as
living organisms, and percussion instruments.
Lange Nacht der Museen, Senatsverwaltung
für Wissenschaft, Forschung und Kultur,
Production: TU
Studio Berlin.
2005
Sound
installations,
research and
artistic direction
Berlin, Germany, The Tilt Group,
founder and artistic director. In collaboration
with Iftah Gabbai, Olaf Hingenfeld, Oori Shalev, Bertrand Hansum,
and others.
2006 - Patio
central de la Universidad de San Luis, San Luis
Potosi City, Mexico, Sotavento by The
Tilt, A network of
sonic trees, sound installation, Festival de San
Luis. Berlin, Germany, Florence, Italy and San Luis
Potosi, Mexico. Commission:
Festival de San Luis.
2007 - TU Elektronisches
Studio, TU
University, Berlin,
Germany, Biosphere Lab, by the Tilt.
An experimental extension of the Technisches
Universitat Berlin, Elektronisches Studio.
2007,
Ballhaus Naunynstr., Berlin, Germany, To
Sing a Forest, realtime interaction-performance
with living trees. Interaktion Festival 1.
2007,
Ballhaus Naunynstr., Berlin, Germany, Die
Schaukel, realtime interaction-performance with
living trees. Interaktion Festival 1.
2007-08
- Galerie Hope and Glory, Kornerpark,
Berlin, Germany,Baumberauschen,
Sound Installation. Comission: Kunst Identitat
series through the European Union's Soziale Stadt
program.
2009 -
Die Insel,Berlin, Germany,Baumberauschen
2,
Socially healling an abandoned park with sound
art. Comission: Kunst Identitat
series through the European Union's Soziale Stadt
program.
2004
Visual and
performing arts
Hochschule
fur Musik und Theater, Hamburg, Germany,
Mex.Toys, for percussion, video, dance and
electronics, premiere
Goldbeckhaus, Hamburg, Germany,
Mex.toys, video, percussion, dance,
performance and electronics, Festival Eigenarten.
2004
Scored composition
Capilla
Helenico, Mexico City, Mexico, Ludika,
Performance for percussionist. The
electronic hammer.
2004
Visual and
performing arts
BKA
Theater, Berlin, Germany, Qu Vara, performative piece for Trombone,
water, saliva and tape. Unerhoerte Musik.
Commission: Hilary
Jeffery.
2004
Scored composition
Auditorio
Blas Galindo, CNA, Mexico City, 8to,
for ensemble, Camerata de las Americas.
2003
Video Art
Museo
Universitario de Arte contemporaneo, UNAM,
Film, Dona Soco, her mother and
the chicken, 2003, 4:3, Color,
Ca 16 min.
2003
Video Art
Hochschule fur
Musik und Theater, Hamburg, Germany, Mextoys-Interlude 2, 4:3, Color,
Stereo, Ca 5min. Adult content.
2003
Video Art
Hochschule fur
Musik und Theater, Hamburg, Germany, Mextoys-Interlude
1, 4:3, Color,
Stereo, Ca 5min. Adult content.
2003
Scored composition
Sala Ponce,
Cuernavaca, Mexico, PfMd01, for
piano, Marion Vidal.
Museo
Nacional de Arte, Mexico City, PfMd_01,
for piano, Premiere, Marion Vidal.
2003
Scored composition
Stanley Picker Gallery, Kingston
University, School of music, Kingston, UK, Coro MD, performative piece for mixed
choir and tape, eCOOter
ensamble,
2003
Sound design
Centro
Cultural los Lagos, Veracruz, Mexico, 69
video installation, sound collaboration with
D. Veras. Festival Flama 01.
2002
Soundtrack
ZeltTheater Festival, Schanzenpark, Hamburg, Germany, Tafel Tanz, sound collaboration with Y.
Gutierrez. Festival Eigenarten 2002.
2002
Soundtrack
Goldbeckhaus, Hamburg, Germany, Quick
Instant Soup, sound collaboration with Y.
Gutierrez. Festival Eigenarten 2002.
2002
Creative non
fiction
Cuernavaca,
Mexico, La Pasión Según la Gente,
Creative non fiction,
Color, 4:3, 18min.
2001
Poetry and
photography
La Jornada
Morelos, El Sí en
Pies, Cuernavaca, Mexico, Poem and Photo, co-editor and
author.
2001
Edition
Cuernavaca,
Mexico, CD, La Pasión Según la Gente,
Creative non fiction,
Mexico, Color, 4:3, Color, 18min. Quindecim Recordings,
Sirena, PACMYC, FOECA.
2000
Visual and
performing arts
Museo de la Ciudad
de Mexico, Mexico City,
La Pasión Según la Gente,
for Brass band, Percussion, Clarinet and tape, Creative non fiction,
Mexico, Color, 4:3, Color, 18min. PACMYC, FOECA. Concert
curated by Conrado Tostado.
1996
Music instrument
design
STEIM
foundation, Amsterdam, The Netherlands.
Gloves with sensors: the construction of a
non-midi hand-based
electro-instrumental tool. Sandoval describes
how, after completing the construction of a
solenoid-based MIDI piano, they turned their
attention to designing and building sensor
gloves with the assistance of the STEIM
foundation. The author explains that their
intention was different from that of Michael
Waisvisz, founder of STEIM, who had developed a
MIDI controller called The Hands in 1984.
Instead of using the MIDI protocol, which the
author found unsuitable, they opted for sensor
technology which had become more affordable.
After several residencies at STEIM and multiple
stages of development, the author was able to
finalize the gloves. The gloves were
discontinued in 2010. Sandoval further expanded
on this technology by incorporating 3D
accelerometers into their own live-tree
sound-installations.
Further
construction residencies: 1999 and 2005
Project submission
photo
Gloves
construction at the STEIM foundation
The legendary
SensorLab at its best...
Trying the gloves
at the STEIM Foundation...
1995
Music instrument
design and construction
Cuernavaca
City, Mexico, MIDI piano. In collaboration
with Trimpin (Rem-Demi Productions) and Miguel
Zenker (ENM UNAM).
I installed a rack
of adjustable solenoids to an old, adapted upright
piano. The power supply was designed and
constructed by Trimpin. He helped me with the
final assembly and adjustments. This was the first
solenoid-powered, MIDI-controlled acoustic piano
made in Mexico. The instrument was disassembled
when I moved to Germany, 2003. Photos by Lazaro
Sandoval.
1994
Scored composition
Donaueschingen,
Germany,
Fast Piece for player Piano, Piece for
automata, Festival
Donaueschinger Musiktage
1991
1994
Assistance to a
composer
Conlon
Nancarrow's studio, Mexico City, Assistant
to Conlon Nancarrow. More information:
here
1985
Group Exhibition
Foro Cultural Efrén Rebolledo,
Pachuca, Mexico,
Unicornio, group photo-exhibition,
1984
Group Exhibition
Municipality Library, Cuernavaca, Mexico,
5 Proposiciones Visuales,
Group photo-exhibition,
Coordinación Cultural del Estado de Morelos,
biblioteca municipal.
1983
Illustration
Análisis, N.Y., USA,
(political
magazine), political illustration
1983
Photoraphy
El encuentro inesperado, Los
Angeles, USA. Photonovela on the sexual
violence in Los Angeles), photography.
1983
Photoraphy
Literaricum(literature magazine), Vienna,
Austria, Nr. 1:82, photography
1983
Illustration
El Día / Newspaper ,
México City, Literature and poetry
illustration, cultural section.
1982
Solo Exhibition
Internationalen Studenten-Club,
Vienna, Austria, Zeichnungen und
Aquarelle,
solo exhibition.
1982
Solo exhibition
Modena Art
Gallerie, Vienna, Austria, 14 Zeichnungen,
6 aquarelle, 5 photomontagen, 15 photos,
solo exhibition.
1978
Illustration
Colibrí Magazine,
Mexico City, illustrator.
1975
Political cartoon
La Garrapata,
México City, political
magazine,
cartonist.
