Berliner Kabarett Anstalt, BKA Theater,
Berlin, Germany
Nubes y
nomadas 2
soloists ensemble and multi-channel video. A developed version
of "Nubes y Nomadas 1" with an accent on the
current migration crisis in the world and a
slightly different instrumentation. Commission:
Ensemble Vertixe Sonora.
6 Musicians in
Pontevedra, Spain, read a score using a portable
teleprompter.
A second score were written to be read by 6
other musicians on stage. Overlapped materials
of "street" musicians along with different
youtube video-documentation accompany the stage
musicians.
On Video:
BbClarinete, Flute, Percussion, Trombone, Toy
Piano, and Viola. On stage: Percussion, Baritone
Sax, Electric guitar, Accordion, and
Piano/keyboard
2024
Visual and
performing arts
Casa del Lago
UNAM, Mexico City
Fatalismo Mágico
Objects installation with
sound.
In "Dibujame un mapa de lo que no veras", group
exhibition curated by Monica Ramirez and Adriana
Melchor. JUMEX Arte Contemporaneo.
Chongquin International Modern and
Contemporary Art, Exhibition 2023-24, Chongquin, China
Post-covid
series
group exhibition, Partner: Pashmin Art
Managment.
2023
Scored composition
Visual and
performing arts
Video
Musikinstrumenten Museum,
Exploratorium, Die Gelbe Villa. Kassel:
Dock 4, Jugendkulturkirche. Marburger
Musikschule.
MATEO
Ca. 13:45", Spinet, Soprano and other
objects and actions.
A duo based on a story for kids I wrote about a
blind kid who gets lost in the forest and is
assisted by an unconscious, non-sentient entity
that communicates whit him through blowing.
Comission: Klangplatz.
2022
Visual and
performing art
Urbanraum,
Berlin, Germany
City of inventories
Duo performance with a blind Box,
Independent.With choreographer and
dancer Karina Suarez
Bosche.
An induced acoustic stress is later released, to
enhance blindfolded perceptual capacity and
submission.
2021
Visual and
performing art
Auditorio
de Junta de Galicia en Campolongo, Pontevedra,
Spain
For Ensemble and TikTok
videos. Commission: Liminar and Contrechamps
ensembles.
With the support of Foro Internacional de Musica Nueva Manuel Enriquez
and Pro Helvetia foundation.
2021
Sound sculpture
Mexican Embassy in Germany, Berlin
Last Couple Fight
Sculpture
with sound, in "Mexikanischer Ubersee Salon /
Salon Mexicano de Ultramar", group exhibition,
curator: Luisa Reyes Retana.
2020
Video
A solitary
bike-journey in times of COVID-19
Video,
Independent, Ca. 33 min., 16:9, Color, Stereo,
MPEG4.
2020
Workshop and
peformance
Universidad
para el Bienestar, Benito Juarez Garcia,
Teotitlan del Valle, Oaxaca, Mexico
Sound-cartography
Listening, walking and
mapping, workshop and performance with students.
2020
Sonic
interactive
sculpture
Mexican embassy in Germany, Berlin
Blind Box
Interactive sound
sculpture, in "Zu-Fall". Group exhibition.
Curator: Vanessa Enriquez. A blind-folded
tactile experience becomes a sonic creation.
2019
Scored
composition
and instrument
construction
St.
Marie Liebefrauen Kirche, Berlin, Germany
Kammlagen
Spectral organ,
church organ and soprano. Open score based on texts by Carlos Castaneda
and a Nahuatl poem. With Quentin Tolimieri
(spectral organ), Maximilian Schnauz (church
organ) and Almut Kuehne (soprano). Organ
builder: Guido Hennebeohl. Support by Inititive Neue
Musik, Berlin.
2019
Visual and
performing arts
Ackerstsadt Palace, Berlin, Germany,
Biberdamm-Assut
animation film, percussion,
violin,
cello and modified PET bottles. in "Up to three
2019 concert series". Commission: Ensemble Mosaik.
2018
Visual and
performing arts
Tauben
Platz, Wrangelkiez, Berlin,
Germany
Klavierstrasse
whole summer interactive open-air
sound-sculpture. Commission: Kiezanker 36
and Berliner klavier.
Neither Klavierstrasse nor Taubenplatz exists in Berlin.
This corner is a utopian place where anything
and everything can happen. It is a place where
the sole presence of a piano is able to
transform the street into the private space or to
bring together a homeless person who plays the
piano and a child who loves music. Klavierstrasse is an installation, a sculpture,
a mirror, a corner of time.
WHO IS MAIKOL
JASHKON? Gabriel Grestel (known in his our
Barrio as 'Maikol Jasckon') became the Lingua
Franca, the Locus Classicus of Klavierstrasse.
Gabriel always showed a great deal of respect
for the piano, whenever he played it, donated a
coin. He always wanted to help and never
disrespected anyone. We know that Maikol was a
nuisance to many. Well, we made this video to
temper this Nuisance. His aesthetics, like a
good Romanian, arouses unleashed passions
(Thanks to Daniela Berenika for asking the
questions to Maikol)
2018
Visual and
performing arts
Americas
Society, New York, USA
The six lost songs
six "soundtracks" of Nancarrow's dreams
when he was 6 years old, for Double Bass, Ondes Martenot and
Percussion, Commission:
Americas Society.
2018
Visual,
performing arts and release
Open
Air and Double-Vinyl Edition, San
Lorenzo, Milpa Alta, Mexico City,
Fatalismo Mágico,
ópera sobre el deseo y la
nostalgia en cuatro actos
(Magic Fatalism,
opera on nostalgia and desire in three acts), Performance, 80+20 vinyls
edition, 4 Black-ceramic brooms, and a tortillas
Oracle.
This project was originally realized with Mariana Castillo Deball.
It deals with sound cartography, soundscape,
pilgrimage, maps, landscape and performance.
Edition of 100, double vinyl disk box, wrapped
with a fine-art cloth-digital-print of a Mariana
Castillo's water color showing the map where all
performances took place. The project was
realized by request from Alumnos 47 Foundation
(now extinct) with the kind support of local
people in San Lorenzo, Milps Alta.
Performers:
The Morilleros
The Barrendera
The tortillas oracle
The Yerbero
Curator Alumnos 47:
Jessica Berlanga
Don
Juan, El Yerbero
Juana, la
barrendera
Juana, The
tortillas Oracle
2018
Visual and
performing arts
Kesselhaus,
kulturbrauerei, Berlin, Germany
Die Trennen der
Dinge
Ensemble and
video,
featuring Niklas Seidl, Daniela
Garduno, Ernst Surberg and Tanja Watoro on video.
Soloist: Ernst Surberg: accordion, Roland Neffe:
Blind Box. Autonome Musik 4, "Schaltungen". Commission: Ensemble Mosaik
and SNCA.
2018
Edition
Museum of the Seam,
Jerusalem, Middle East
Hidden 2
Video
installation, in Rise boys
and girls the same way, catalogue for the
exhibition The Women Behind, Photo Series.
2018
Video Art
Museum of the
Seam, Jerusalem.
Hidden 2
16:9, Color, Stereo Ca. 5 min.
Featuring Charlotte Grude. "The Women Behind",
group exhibition, curator: Raphie Etgar
"The
exhibition seeks to increase awareness for
women’s equality and liberation, and through the
series of images, to deconstruct the power
structures that constitute gender relations in
our society, while observing the latent social
and cultural strata, thus exposing global
manifestations of exploitation, abuse and
exclusion" (Museum of the Seam).
2017
Visual and
performing arts
Smallroom,
Berlin, Germany
Qu Trompa, ship version
Trumpet,
Water, saliva and tape. Commission
by: Callum G. Froerer
2017
Group exhibition
Bethanien,
Berlin, Germany
On Nancarrows's Legacy
Digital prints and cylindrical stamps, in: Constellations of the
Audio Machine in Mexico - group exhibition. With
Mariana Castillo Deball. Curator: Carlos Prieto.
2017
Visual and
performing arts
HAU 2,
Berlin, Germany
The Mexican National
Anthem as I recall it from my childhood
Ensemble, 2-channel video, Soprano Obbligato,
Flag conductor and Tape. Festival CTM, for the Constellations of the
Audio Machine in Mexico, group exhibition, with funds from SNCA, Mexico.
Curator :
Carlos Prieto
2016
Visual and
performing arts
Akademie
der Kunste, Berlin, Germany
Teleprompter 2
6 solo performers and their
own video, commission: ARD-Das
neue Werk and Ensemble Mosaik.
2016
Video
Grazer Kunstverein
(producer), Graz Austria,
Perchtenlauf
Ca. 14 min, 4:3, Color,
Stereo, MPEG4.
In German / no subtitles. This film is
associated with the piece Viertel Nach
Schatten.
2016
Visual and
performing arts
Schwaz, Austria
Antilegos 1, 2, 3
3 live and
video solos, A mix of concert and sound
installation. Klangspuren Schwaz under the
Tiroler Festival fur Neue Musik, Commission:
Ensemble Mosaik, Siemens Stifftung.
2016
Visual and
performing arts.
Exhibition
Grazer
Kunstverein, Oragerie, Graz, Austria
Viertel Nach Schatten
Open-air composition, performance and
exhibition, based on the traditional Austrian Perchtenlauf.
Commission: Grazer Kunstverein. With Mariana Castillo
Deball.
2016
Limited edition
Grazer
Kunstverein, Graz, Austria
Viertel Nach
Schatten
Group
portfolio, 10x Edition. Commission: Grazer Kustverein. With Mariana Castillo
Deball.
2016
Video Art
Kunsthaus Bethanien, Berlin, Germany
Se fueron los
Pajaros
a visual landscape for deaf people.
Independent production. In "Constelations of the
audio machine in Mexico", discussion panel.
Curated by Carlos Prieto.
2015
Visual and
performing arts
Resonanzraum,
Hamburg , Germany
Teleprompter 1
6 solo performers and their
own video, commission: ARD-Das
neue Werk and Ensemble Mosaik.
2015
Visual and
performing arts
Strawinsky Saal, Donaueschingen Germany
Antilegos 1, 2, 3
3 short chamber pieces and video:
Antilegos 1:
Keyboard and 2-channel video
Antilegos 2:
Violin oboe and 2 channel video
Antilegos 3:
Clarinet, Viola and 2 channel video
Festival
Donaueschinger Musiktage. Commission: Ensemble
Mosaik and Siemens Stifftung.
2015
Exhibition
Galerie für Zeitgenössische
Kunst, GfZK, Leipzig, Germany
One minute for John Cage
125 Party Pieces,
original score, group exhibition, and edition. Forum Zeitgenoschisher
Musik, Leipzig.
2014
Printed
Magazine
Ixiptla
Antilego, photo series
Magazine
Ixiptla, Spring 2015, Vol 3, ISBN
978-3-94-3514-35-3, Berlin, Germany,
, p.p 80. Dissociated
pre-Hispanic pieces are brought together to form
an arbitrary entity.Also in:
Magazine
Ixiptla, Spring 2014, Vol 1, ISBN
978-3-94-3514-25-4, Berlin, Germany.
2014
Printed
Magazine
Sur
On
Nancarrows Legacy
Spring 2014, Vol 1, ISBN
978-3-94-3514-26-1, Mexico City,photocopy and rolling stamp, print series, p.p. 33-42.
With Mariana Castillo Deball.
2013
Miller Theatre,
New York,
USA
125 Party Pieces for John
Cage
125 scores concert.
Commission:
Forum zeitgenössischer Musik, Leipzig
2013
Visual and
performing arts
ZKM,
Karlsruhue, Germany
Maquina Latina
Piano and video performance, PIANO+ 2013
Festival, Konzert I. Commission: Ernst Surberg.
2013
Performing arts
Open-Air,
Kottbusser Tor, Berlin, Germany
Parasite Sound Intervention
6-music spots, simultaneous
performance and video recording around a
fix-route wandering camera. Independent
production.
2013
Performing arts
Open-Air,
Kottbusser Tor, Berlin, Germany
Parasite Dance Intervention
6-dance-spots, simultaneous
performance and video recording around a
fix-route wandering camera. Independent
production.
2012
Video
Deutsches Hygiene-Museum Dresden,
Germany, FILM
Ursula:
the art of Dying
Permanent screening and
lecture for
Young people about the art of dying. Featuring Ursula Kleinhenz.
16:9, Color, Stereo, Ca 15 Min.
In German, no subtitles. Commission: Deutsches
Hygiene Museum Dresden
2012
Visual and
performing arts
Lab
for Electronics Arts and Performance,
LEAP, Berlin, Germany
Lips revisited
for
voice and live electronics. Body controlled
number 5-Gestures.
2010
Visual and
performing arts
Mexico City,
Museo Universitario de Arte Contemporaneo MUAC
UNAM
Traslapes sonoros y otras averiguaciones previas
Impro-performanceand video
with an alive ticking-chiken. With Wilfrido Terrazas (flutes), Misha Marks
(guitars) and C.S. (Live electronics and
video).
2010
Video Art
Mexico City,
Museo Universitario de Arte Contemporaneo MUAC-UNAM,
Tinga under a
surveillance camera
in
"Traslapes sonoros y otras averiguaciones previas". Ca. 3 min. 4:3,
Color, mute
2010
Video Art
Mexico City,
Museo Universitario de Arte Contemporaneo MUAC
UNAM
Tinga
inside out
in
Traslapes sonoros y otras averiguaciones previas,
Ca.
3 min. 4:3, Color,
mute
2010
Scored composition
Fabrik
Potsdam, Potsdam, Germany
PfMd_01
for piano and tape. Interzonansen 2013, with
Andreas Staffel and Julius Holtz.
2010
Visual and
performing arts
Hamburger
Sprechwerk, Hamburg,
Germany
El Instrumento
one month
residence and performance. For dancer and live electronics. in DanceKiosk
Festival. Commission: Dance-Kiosk Festival.
2010
Visual and
performing arts
Qu trompa
2011:
Museum in
Wasserwerk, Berlin, Germany,for trumpet, water, saliva and tape,
Berliner Gesellschaft fur Neue Musik.
Commission: Paul Hubner.
2010: Hauptbahnhof, Oldenburg, Germany,
Performance for trumpet, Water, Saliva
and tape. Bahnklang festival (under the
umbrella of Festival Sounding D).
With "Qu trompa"
(comission Paul Huebner and later Callum G.
Froerer for the "ship version") and "Qu Vara" (comission
Hilary Jeffery) I wanted explore on a
ecological, cyclical, interactive and embodied
relationship instrument-performer.
2010
Scored composition
and tape
Basilica
Menor del Convento de San Fransisco de Asis,
Havanna, Cuba
Coro_MD
kids mixed-choir,
objects and tape, Festival Primavera en la
Habana.
2010
Video Art
Mexico-Berlin,
independent production
Hidden One
Featuring Sofía
Torre, 16:9, Color, Ca. 4 Min.
2010
Sond installation
Die Insel,
Berlin, Germany
Klangkaskaden-Haikus
Sound installation with trees,
sensors and
water in
movement. Commission: EU Soziale Stadt, Berlin
City, German Federal Government and Interzone.
A The Tilt project.
2009
Workshop
and
live-electronics performance with kids
Laberinto de las Ciencias, San Luis Potosi,
Mexico
Joysticks
electronics hacking and Impro-performance for kids, Festival de San Luis.
Commission: Festival de San Luis. With Oori
Shalev. A The Tilt project.
2009
Visual and
performing arts
Frac
Bougogne, Dijon, France
Petenera
Guitar, toy guitar and acting, Festival
Printems Why Not. Commission SNCA
2009
Visual and
performing arts
BKA
Theater, Berlin, Germany
Qu Vara
for Trombon, Water, Saliva and Tape,
Commision: Hilary Jeffery, BKA Unerhoerte Musik
series.
2009
Visual and
performing arts.
Conducting and
live electronics
Aula der
Kieler Gelernteschule, Kiel, Germany
Die
basta Zeiten sind vorbei
ensemble,
live-electronics and graphic. Commission
Ensemble Mosaik
2009
Visual and
performing arts
Conducting and
live electronics
Alte-Post,
Berlin Neukolln, Germany
Umgebung
Nano
opera for mixed choir, chamber ensemble and live
elektronic, Commission: Kulturnetzwerk
Neukolln e.V., Festival 25 Stunden Neukolln
2009
Scored composition
Theatre
D'Orleans, Orleans, France
Theatre des
Buffes du Nord, Paris, France,
PfMd_01
piano and tape, Orleans Concours
Interational. Comission SNCA, Mexico. With
Wilhelm Lachouma
2008
Conducting and
live electronics
Kesselhaus,
kulturbrauerei, Berlin, Germany
Die
Basta Zeiten sind Vorbei
Performance
graphic score and ensemble, commission: Ensamble
Mosaik, Open Sources series.
2007
Visual and
performing arts
Lawrence Batley Theater, Huddersfield,
England
Mosaicos
Conducting an ensemble with
live-electronics and floor-score, Huddersfield contemporary Music
Festival, commission: Ensemble Mosaik.
2007
Visual and
performing arts
with live
electronics
Kleinen Wasserspeicher, Berlin,
Germany
The body
of Ligia
Live electronics-body performance,
commission: Funf + 1 festival.
2007
Visual and
performing arts.
Conducting with
live electronics.
Ballhaus Naunynstrasse, Berlin,
Germany
Die
schaukel
A
3:08:06" hour chimera in the form of a
music-interaction with trees, sensors and
internet, light-installation, music-theater and
free improvisation, with
Mario Vazquez, Oori Shalev, Jose Garcia and C.S.
With the support of INM e.V. Berlin,
BalhausNauninstrs. and the Interaktion Festival.
2006
Sound Installation
and Spatial sound concert
Tesla Kubus,
Berlin Germany
Nancarrow in 12 channels
spacialization of studies 21 and 37, commission
TU Elektronische Musik Studio, TU University.
With Folkmar Hein and several TU-university
students.
Ca. 25:00", Ships as
living organisms, and percussion instruments.
Lange Nacht der Museen, Senatsverwaltung
für Wissenschaft, Forschung und Kultur,
Production: TU
Studio Berlin. With Oori Shalev, Iftah Gabbai,
Roland Neffe and others.
2005
Sound
installations,
research and
artistic direction
The Tilt Group
Berlin, Germany, founder and artistic director. In collaboration
with Iftah Gabbai, Olaf Hingenfeld, Oori Shalev, Bertrand Hansum,
and others.
2006 - Patio
central de la Universidad de San Luis, San Luis
Potosi City, Mexico, Sotavento by The
Tilt, A network of
sonic trees, sound installation, Festival de San
Luis. Berlin, Germany, Florence, Italy and San Luis
Potosi, Mexico. Commission:
Festival de San Luis.
2007 - TU Elektronisches
Studio, TU
University, Berlin,
Germany, Biosphere Lab, by the Tilt.
An experimental extension of the Technisches
Universitat Berlin, Elektronisches Studio.
2007,
Ballhaus Naunynstr., Berlin, Germany, To
Sing a Forest, realtime interaction-performance
with living trees. Interaktion Festival 1.
2007,
Ballhaus Naunynstr., Berlin, Germany, Die
Schaukel, realtime interaction-performance with
living trees. Interaktion Festival 1.
2007-08
- Galerie Hope and Glory, Kornerpark,
Berlin, Germany,Baumberauschen,
Sound Installation. Comission: Kunst Identitat
series through the European Union's Soziale Stadt
program.
2009 -
Die Insel,Berlin, Germany,Baumberauschen
2,
Socially healling an abandoned park with sound
art. Comission: Kunst Identitat
series through the European Union's Soziale Stadt
program.
2004
Visual and
performing arts
Hochschule
fur Musik und Theater, Hamburg, Germany,
Goldbeckhaus, Hamburg, Germany
Mex.Toys
for percussion, video, dance and
electronics, premiere. Festival Eigenarten.
2004
Scored composition
Capilla
Helenico, Mexico City, Mexico, Ludika,
Performance for percussionist. The
electronic hammer.
2004
Visual and
performing arts
BKA
Theater, Berlin, Germany
Qu Vara
Performative piece for Trombone,
water, saliva and tape. Unerhoerte Musik.
Commission: Hilary
Jeffery.
2004
Scored composition
Auditorio
Blas Galindo, CNA, Mexico City, 8to,
for ensemble, Camerata de las Americas.
2003
Video Art
Museo
Universitario de Arte contemporaneo, UNAM,
Film, Dona Soco, her mother and
the chicken, 2003, 4:3, Color,
Ca 16 min.
2003
Video Art
Hochschule fur
Musik und Theater, Hamburg, Germany, Mextoys-Interlude 2, 4:3, Color,
Stereo, Ca 5min. Adult content.
2003
Video Art
Hochschule fur
Musik und Theater, Hamburg, Germany, Mextoys-Interlude
1, 4:3, Color,
Stereo, Ca 5min. Adult content.
2003
Scored composition
Sala Ponce,
Cuernavaca, Mexico, PfMd01, for
piano, Marion Vidal.
Museo
Nacional de Arte, Mexico City, PfMd_01,
for piano, Premiere, Marion Vidal.
2003
Scored composition
Stanley Picker Gallery, Kingston
University, School of music, Kingston, UK, Coro MD, performative piece for mixed
choir and tape, eCOOter
ensamble,
2003
Sound design
Centro
Cultural los Lagos, Veracruz, Mexico, 69
video installation, sound collaboration with
D. Veras. Festival Flama 01.
2002
Soundtrack
ZeltTheater Festival, Schanzenpark, Hamburg, Germany, Tafel Tanz, sound collaboration with Y.
Gutierrez. Festival Eigenarten 2002.
2002
Soundtrack
Goldbeckhaus, Hamburg, Germany, Quick
Instant Soup, sound collaboration with Y.
Gutierrez. Festival Eigenarten 2002.
2002
Creative non
fiction
La Pasión Según la Gente
Cuernavaca,
Mexico,
Creative non fiction,
Color, 4:3, 18min.
2001
Poetry and
photography
La Jornada
Morelos, El Sí en
Pies, Cuernavaca, Mexico, Poem and Photo, co-editor and
author.
2001
Edition
Cuernavaca,
Mexico, CD, La Pasión Según la Gente,
Creative non fiction,
Mexico, Color, 4:3, Color, 18min. Quindecim Recordings,
Sirena, PACMYC, FOECA.
2000
Visual and
performing arts
Museo de la Ciudad
de Mexico, Mexico City
La Pasión Según la Gente
Brass band, Percussion, Clarinet and tape, Creative non fiction,
Mexico, Color, 4:3, Color, 18min. PACMYC, FOECA. Concert
curated by Conrado Tostado.
1996
Music instrument
design
STEIM
foundation, Amsterdam, The Netherlands
Gloves with sensors
Construction of a
non-midi hand-based electro-instrumental tool. Sandoval describes
how, after completing the construction of a
solenoid-based MIDI piano, they turned their
attention to designing and building sensor
gloves with the assistance of the STEIM
foundation. The author explains that their
intention was different from that of Michael
Waisvisz, founder of STEIM, who had developed a
MIDI controller called The Hands in 1984.
Instead of using the MIDI protocol, which the
author found unsuitable, they opted for sensor
technology which had become more affordable.
After several residencies at STEIM and multiple
stages of development, the author was able to
finalize the gloves. The gloves were
discontinued in 2010. Sandoval further expanded
on this technology by incorporating 3D
accelerometers into their own live-tree
sound-installations.
Further
construction residencies: 1999 and 2005
Project submission
photo
Gloves
construction at the STEIM foundation
The legendary
SensorLab at its best...
Trying the gloves
at the STEIM Foundation...
1995
Music instrument
design and construction
MIDI piano
Cuernavaca
City, Mexico, In collaboration
with Trimpin (Rem-Demi Productions) and Miguel
Zenker (ENM UNAM).
I installed a rack
of adjustable solenoids to an old, adapted upright
piano. The power supply was designed and
constructed by Trimpin. He helped me with the
final assembly and adjustments. This was the first
solenoid-powered, MIDI-controlled acoustic piano
made in Mexico. The instrument was disassembled
when I moved to Germany, 2003. Photos by Lazaro
Sandoval.
1994
Scored composition
Donaueschingen, Germany
Fast Piece for player Piano
Ca. 6 min. Piece for
Player Piano, in "Musica Mechanica - Mechanische
Musikinstrumenten", Festival Donaueschinger Musiktage
1994.
1991
1994
Assistance to a
composer
Conlon
Nancarrow's studio, Mexico City, Assistant
to Conlon Nancarrow. More information:
here
1985
Group Exhibition
Foro Cultural Efrén Rebolledo,
Pachuca, Mexico,
Unicornio, group photo-exhibition,
1984
Group Exhibition
Municipality Library, Cuernavaca, Mexico,
5 Proposiciones Visuales,
Group photo-exhibition,
Coordinación Cultural del Estado de Morelos,
biblioteca municipal.
1983
Illustration
Análisis, N.Y., USA,
(political
magazine), political illustration
1983
Photoraphy
El encuentro inesperado, Los
Angeles, USA. Photonovela on the sexual
violence in Los Angeles), photography.
1983
Photoraphy
Literaricum(literature magazine), Vienna,
Austria, Nr. 1:82, photography
1983
Illustration
El Día / Newspaper ,
México City, Literature and poetry
illustration, cultural section.
1982
Solo Exhibition
Internationalen Studenten-Club,
Vienna, Austria, Zeichnungen und
Aquarelle,
solo exhibition.
1982
Solo exhibition
Modena Art
Gallerie, Vienna, Austria, 14 Zeichnungen,
6 aquarelle, 5 photomontagen, 15 photos,
solo exhibition.
1978
Illustration
Colibrí Magazine,
Mexico City, illustrator.
1975
Political cartoon
La Garrapata,
México City, political
magazine,
cartonist.
